METAL ARCHIVIST & OLD SCHOOL METAL HEAD … OBSESSED WITH HEAVY * THRASH * DEATH * BLACK * DOOM * HARD ROCK *
Saturday, July 4, 2026
Friday, July 3, 2026
WHEN JUDAS PRIEST WAS ON TRIAL
(Original published on January 14, 2005. Updated with documentary and book chapter)
December 23, 1985, The young men Raymond Belknap, 18 years old, and James Vance, 20, starred in one of the bloodiest news stories of that time. Both friends spent six hours drinking, smoking marijuana, and listening to the album "Stained Class" by Judas Priest. After that, the young men took a shotgun and decided to commit suicide. Belknap died instantly, while Vance survived, although losing a large part of his face before passing away in 1988. The families' defense soon found a culprit: Judas Priest and their subliminal messages that incited violence.
The victims' families sued CBS Records for 6.2 million dollars in damages. Five years later, in August 1990, the trial's verdict sparked worldwide anticipation as it would set a legal precedent, affecting other bands whose lyrics were criticized for their aggressiveness. "It's a very, very interesting topic, belonging to psychology." But I had no idea. I was just a damn heavy metal band singer. "We were baffled by some of the things coming out of that courtroom," Halford added.
In their favor, the band had the outcome of other trials where musicians were protected thanks to the application of the First Amendment of the Constitution, which guarantees freedom of expression in the United States. Despite that, years earlier, Judge Jerry Whitched had signed a ruling in 1988 explaining that the First Amendment did not protect them from their messages.
Halford remembers that entire month when they had to move to the United States. "We were in court from 9:00 AM to 5:00 PM, every day for a month." We stayed outside of Reno to get away from the press. (...) There we were asking ourselves, why are we here? "We are British metal musicians and we are going to have to defend our music and our fans against the absurd, ridiculous accusations that we put that kind of messages in our music to kill them," recounted the artist. Almost 30 days later, on August 24, 1990, Judas Priest was acquitted of the charges.
In a 100-page ruling with over 40 witnesses consulted, Judge Whitched ruled that the families could not prove the hidden subliminal messages. Today, the musician reveals: "I really wanted to go to the mothers and give them a hug, tell them 'I'm sorry for the loss of your children.'" "Let's have a coffee and talk about this," but he avoided doing so because there was a whole network of people behind them, "a kind of infiltration by extreme Christian groups urging them to pursue the case."
Regarding the trial itself, Halford assured that he and his companions felt relieved, although disappointed. "(The judge) did not outright say 'what the prosecution was suggesting did not happen,' but basically said: "Look, this is still a gray area, this band did not put these words in the song and those words did not create this tragedy." (...) The whole issue of subliminal messages was left in limbo. "It would be horrible to think that this could happen again, but we just have to wait," he concluded.
WATCH THE 'DREAM DECIEVER' DOCUMENTARY HERE
DOWNLOAD THE JUDAS PRIEST CHAPTER DOWN BELOW
PATREON MEMBERS
WATAIN’S FIRST EUROPEAN TOUR (2002)
The first European tour, the Black War tour, is done together with Unpure throughout Europe. Due to severing a finger, Pelle is temporarily replaced by Whorth from Malign for the duration of the tour. Whorth eventually replaces Tore as a live member on bass.
Photos down below from Watain’s official Facebook page!
UNIVERSE (SWE) "UNIVERSE" [LP] 1985
Genre: Heavy Metal
Year: 1985
Country: Sweden
Note: I love this album! Universe from the same hometown as Europe (and me), Upplands Väsby, a suburb 30 minutes outside of Stockholm, Sweden. It was recorded at Humlan Studio in Stockholm in the autumn of 1984. It was then released in 1985 and it's been a favorite of mine ever since. Unfortunately this was their only album during the 80's. If you like Europe's first two albums, I'm pretty sure you will love this one as well.
TRACKLIST
A1 Rollin' On
A2 Stories From The Old Days
A3 Weekend Warrior
A4 Lonely Child
A5 Looking For An Answer
B1 Angel
B2 Woman
B3 Strong Vibration
B4 Burning Machine
B5 Question Of Time
Thursday, July 2, 2026
AGENT STEEL ”HAMMERSMITH ODEON, LONDON, ENGLAND” (1987)
Filmed in June 1987 at the Hammersmith Odeon, London, UK.
Please report dead links!
SETLIST
01 - 00:00 - Nothin' Left
02 - 04:30 - The Unexpected
03 - 09:38 - The Day at Guyana
04 - 16:43 - Never Surrender
05 - 21:00 - Mad Locust Rising
06 - 26:15 - The Ripper (Judas Priest cover)
07 - 29:00 - Evil Eye/Evil Minds
08 - 32:13 - Bleed for The Godz
09 - 37:17 - The Rager
LINE-UP
John Cyriis - Vocals
Chuck Profus (R.I.P. 2025) - Drums
James Murphy - Guitars
Jay Weslord - Guitars
Richard Bateman (R.I.P. 2018) - Bass
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THE BIRTH OF N.W.O.B.H.M.
Article courtesy of the inactive blog, mayobat, with inserts from me.
The legendary article from Sounds Magazine, May 15, 1979.
The acronym and term N.W.O.B.H.M. (New Wave of British Heavy Metal) was allegedly first coined in May 1979 by editor Alan Lewis and music journalist Geoff Barton in the British music newspaper Sounds. The issue was dedicated to the rising crop of underground heavy metal bands that had emerged in the UK in the late 1970s.
Ultimately, Punk rock’s success doomed it to failure, as it eventually assimilated into the very thing it was programmed to destroy: the mainstream. Of course, during Punk’s brief reign, the Metalheads were still out there, both fans and bands, biding their time, awaiting their moment. Punk didn’t kill Heavy Metal; it just drove it underground. In one such underground haven, a hall called The Bandwagon, Metal had found a place to weather the Punk rock storm. Attached to the side of the Prince of Wales Pub at Kingsbury Circle, London, this unlikely setting would become Ground Zero for the Rebirth of Heavy Metal.
Ground Zero for the Rebirth of Heavy Metal.
Neal Kay was a true believer. As the DJ at the Bandwagon, he created and cultivated a haven for Metalheads, giving them a place to gather and listen to the music they loved through one of the loudest PA systems in London. The Bandwagon was always packed to the rafters, and Kay knew he could make it even more popular with the support of the press. So Kay began calling Sounds writer Geoff Barton, the paper’s resident hard-rocker, and inviting him down to cover the bandwagon.
Barton finally paid the Bandwagon a visit, and was stunned by what he saw. Heavy Metal was alive and kicking in at least one place in Punk-ravaged Britain. He wrote a piece on the scene called ‘Wednesday Night Fever’ which ran in the August 19, 1978 issue of Sounds, one of the UK’s leading music papers. Kay also convinced the weekly to publish a Heavy Metal chart, solely based on requests the DJ received from the regulars at the Bandwagon. Most of what appeared on the chart was music by bands from the pre-Punk era: UFO, Priest, Rush, Scorpions, Rainbow. Suddenly the Bandwagon, and Heavy Metal in general, was receiving coverage by one of the most important music papers in the country.
Barton finally paid the Bandwagon a visit, and was stunned by what he saw. Heavy Metal was alive and kicking in at least one place in Punk-ravaged Britain. He wrote a piece on the scene called ‘Wednesday Night Fever’ which ran in the August 19, 1978 issue of Sounds, one of the UK’s leading music papers. Kay also convinced the weekly to publish a Heavy Metal chart, solely based on requests the DJ received from the regulars at the Bandwagon. Most of what appeared on the chart was music by bands from the pre-Punk era: UFO, Priest, Rush, Scorpions, Rainbow. Suddenly the Bandwagon, and Heavy Metal in general, was receiving coverage by one of the most important music papers in the country.
It can’t be a coincidence then, that in November of ’78, the BBC began airing the Friday Rock Show. Hosted by Tommy Vance, The Friday Rock Show would do basically the same thing that Kay was doing at the Bandwagon, but on a much larger scale: give the metal masses a destination to hear their music. Vance played current HM singles and album cuts, but also plundered the BBC archives for songs recorded exclusively for the Beeb. Archival recordings by Cream, Hendrix, Deep Purple, UFO, Uriah Heep, Led Zeppelin, and many more featured regularly on Vance’s show. Metal was now receiving regular national exposure through two of the nation’s biggest media outlets. But thus far, no new metal bands had arrived on the scene…
In London’s East End, a band called Iron Maiden was struggling to secure gigs outside of their own neighborhood. The band hoped that recording a demo would help them widen their reach. Four songs were laid down on New Year’s Eve, 1978 at Spaceward Studios in Cambridge. The members of the band were Bandwagon regulars, and eventually they handed a copy of the tape to Neal Kay, not in the hopes that he’ll play it, but hoping it might help them get gigs in the area. Kay is floored by the tape, and begins playing the track ‘Prowler’ regularly. The Bandwagon regulars eat it up. ‘Prowler’ debuts on the Sounds HM chart at #23, but by April 21st, the song tops the chart. Iron Maiden receive national exposure for the first time.
Underground Heavy Metal bands all across the UK take notice. This new breed of Metal band adopts an important element of Punk Rock’s DIY ethos: they make their own records and sell them at gigs or via mail order. Even the music is influenced by Punk, with shorter, more immediate songs and a brash, in-your-face intensity. During the 12 months between Maiden’s appearance on Kay’s chart and their debut album’s entry into the UK charts in April of 1980, British Metal gradually emerges from exile and evolves into a true musical movement. ‘Ere’s ‘ow it ‘appened:
April 1979: Iron Maiden’s ‘Prowler’ demo tops the Bandwagon HM Soundhouse chart in Sounds. The band play their first gig at the Bandwagon.
May 1979: Neal Kay books the three biggest bands from the emerging scene: Angel Witch, Iron Maiden, and Samson, for a gig at the Music Machine. Angel Witch opens; Samson headlines. Geoff Barton covers the show for Sounds with a double-page spread titled ‘If You Want Blood (and flashbombs and dry ice and confetti) You’ve Got It’. The article’s subtitle, ‘The New Wave Of British Heavy Metal: first in an occasional series by Deaf Barton’, contains the first known use of the term “New Wave Of British Heavy Metal”.
Def Leppard release a self-financed EP on their own record label. BBC DJ John Peel gives the track ‘Getcha Rocks Off’ repeated airings, and the 7″ sells well enough for legit labels to take notice.
August 1979: Def Leppard’s gig at the Paris Theatre in London is recorded and Broadcast over BBC Radio.
The Tygers of Pan Tang release their own self-produced EP on Neat Records. It is the fledgling label’s third release, and its first Metal record. Important singles from White Spirit, Raven, Venom and Blitzkrieg would follow in the next few months. Neat emerges as the most important independent label of the NWOBHM era.
September 1979: The still un-signed Def Leppard open for Sammy Hagar at the Hammersmith Odeon.
October 1979: Def Leppard record an in-studio session for Tommy Vance’s Friday Rock Show. Def Lep also secure the opening slot on the UK leg of AC/DC’s ‘Highway to Hell’ tour. Leppard are now widely regarded as the NWOBHM’s ‘next big thing’.
Iron Maiden appear on the cover of Sounds; the band begin negotiating with EMI days later.
Trespass release the self-produced single ‘One of These Days/Bloody Moon’; Praying Mantis Release their self-produced ‘Captured City/Johnny Cool’ single, and appear on Vance’s Friday Rock Show.
November 1979: Samson record an in-studio session for The Friday Rock Show.
Iron Maiden, still in the process of closing a deal with EMI, press three songs from their demo tape onto 7″ vinyl, and release ‘The Soundhouse Tapes’, named for Neal Kay’s Bandwagon. The EP is available via mail order only; the band sell through 5,000 copies in just a few weeks.
Def Leppard sign with Phonogram. The UK leg of the AC/DC tour ends in November, with four nights at the Hammersmith Odeon; Rick Allen celebrates his 16th birthday on stage at the Hammy O. Leppard release 2 demo recordings as their first single for Phonogram, ‘Wasted’/Hello America”. It peaks at #61.
The Tygers of Pan Tang release their own self-produced EP on Neat Records. It is the fledgling label’s third release, and its first Metal record. Important singles from White Spirit, Raven, Venom and Blitzkrieg would follow in the next few months. Neat emerges as the most important independent label of the NWOBHM era.
September 1979: The still un-signed Def Leppard open for Sammy Hagar at the Hammersmith Odeon.
October 1979: Def Leppard record an in-studio session for Tommy Vance’s Friday Rock Show. Def Lep also secure the opening slot on the UK leg of AC/DC’s ‘Highway to Hell’ tour. Leppard are now widely regarded as the NWOBHM’s ‘next big thing’.
Iron Maiden appear on the cover of Sounds; the band begin negotiating with EMI days later.
Trespass release the self-produced single ‘One of These Days/Bloody Moon’; Praying Mantis Release their self-produced ‘Captured City/Johnny Cool’ single, and appear on Vance’s Friday Rock Show.
November 1979: Samson record an in-studio session for The Friday Rock Show.
Iron Maiden, still in the process of closing a deal with EMI, press three songs from their demo tape onto 7″ vinyl, and release ‘The Soundhouse Tapes’, named for Neal Kay’s Bandwagon. The EP is available via mail order only; the band sell through 5,000 copies in just a few weeks.
Def Leppard sign with Phonogram. The UK leg of the AC/DC tour ends in November, with four nights at the Hammersmith Odeon; Rick Allen celebrates his 16th birthday on stage at the Hammy O. Leppard release 2 demo recordings as their first single for Phonogram, ‘Wasted’/Hello America”. It peaks at #61.
December 1979: Iron Maiden record an in-studio session for The Friday Rock Show. They finalize and sign their EMI deal.
Sounds publish their annual year-end issue, which features a comprehensive round-up of NWOBHM bands.
February 1980: Iron Maiden release their first single, ‘Runnin’ Free/Burning Ambition’. The sleeve art marks the first appearance of Eddie; the single peaks at #34.
Neal Kay assembles a compilation of bands he has championed called ‘Metal for Muthas’; the album is released through EMI and features 2 Iron Maiden songs. Angel Witch, Samson, Praying Mantis, and others also appear. Several notable NWOBHM bands (Saxon, Tygers of Pan Tang, Def Leppard) are not featured on the record, as all are already signed to or in the process of signing deals with other labels. A 3-week ‘Metal for Muthas’ tour follows, featuring Maiden, Diamondhead, Praying Mantis, and Raven.
Def Lep releases their second single, ‘Hello America’/Good Morning Freedom’. This one hits the Top 40 (#34).
Iron Maiden support Judas Priest on the UK leg of their ‘British Steel’ tour.
March 1980: Diamond Head releases their self-produced single ‘Shoot Out the Lights/Helpless’.
Angel Witch record an in-studio session for the Friday Rock Show.
Def Leppard release their debut album ‘On Through the Night’, on March 14, making Leppard the first NWOBHM band to release an album. The album debuts on the UK charts at #15.
April 1980: Iron Maiden release their self-titles debut album; it enters the UK charts at #4.
Heavy Metal was back with a vengeance. With two NWOBHM debuts in the UK Top 20, the inevitable major label feeding frenzy soon followed. Metal bands begin regularly appearing on BBC TV’s ‘Top of the Pops’. Sounds launched Kerrang!, a monthly magazine that covered only HM. The rising Metal tide lifted all boats, and stalwart bands like UFO, Judas Priest, Scorpions, Black Sabbath, and all 3 Deep Purple offshoots were rewarded with revitalized careers and Top Twenty albums.
The magic lasted until around 1982, making the NWOBHM’s brief lifespan about as long as Punk’s. Metal had by then become mainstream in the UK, and several successful NWOBHM bands set their sights on the lucrative US market, where money changes everything. But that first year of the NWOBHM, from April of ’79 to April of ’80, when a new breed of Metalhead applied the DIY ethic and independent spirit of Punk rock to their own genre, was one of most important years in the history of the genre. It was the year that Heavy Metal was reborn.
Iron Maiden support Judas Priest on the UK leg of their ‘British Steel’ tour.
March 1980: Diamond Head releases their self-produced single ‘Shoot Out the Lights/Helpless’.
Angel Witch record an in-studio session for the Friday Rock Show.
Def Leppard release their debut album ‘On Through the Night’, on March 14, making Leppard the first NWOBHM band to release an album. The album debuts on the UK charts at #15.
April 1980: Iron Maiden release their self-titles debut album; it enters the UK charts at #4.
Heavy Metal was back with a vengeance. With two NWOBHM debuts in the UK Top 20, the inevitable major label feeding frenzy soon followed. Metal bands begin regularly appearing on BBC TV’s ‘Top of the Pops’. Sounds launched Kerrang!, a monthly magazine that covered only HM. The rising Metal tide lifted all boats, and stalwart bands like UFO, Judas Priest, Scorpions, Black Sabbath, and all 3 Deep Purple offshoots were rewarded with revitalized careers and Top Twenty albums.
The magic lasted until around 1982, making the NWOBHM’s brief lifespan about as long as Punk’s. Metal had by then become mainstream in the UK, and several successful NWOBHM bands set their sights on the lucrative US market, where money changes everything. But that first year of the NWOBHM, from April of ’79 to April of ’80, when a new breed of Metalhead applied the DIY ethic and independent spirit of Punk rock to their own genre, was one of most important years in the history of the genre. It was the year that Heavy Metal was reborn.
Wednesday, July 1, 2026
STALLION (FRA) ... SHORT BAND HISTORY!
Heavy Metal band from Paris, France. Active in the 80's, and unlike many of their colleagues during this period they had lyrics in English instead of French. Down below you can listen to the second one from 1987.
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The friends had a clear idea of what they wanted to do: a powerful, edgy, and melodic band with prominent and aggressive guitars. So they began searching for a drummer and a second guitarist. For over a year, they tried out, but none of them were quite right...
Finally, through patience and tenacity, Jo (Drums) and Pascal (Guitar) joined the band.
STALLION then began rehearsing, developing its repertoire, and performing concerts, the band's favorite activity. They even participated in the France Festival in Choisy-le-Roi in July 1985
The band attaches great importance to their look and equipment, which is quite impressive for a young band at the time.
In 1987, the group, now mature enough and with a solid repertoire, recorded some demos to promote themselves and gain recognition... See Hard Force No. 6, April 1987.
Some labels were interested but asked the band to change the language of their lyrics to French, which the band refused...
Unfortunately, STALLION would not release any albums and would eventually disband...
/ Above text is a translation from the French Metal Museum
(1987) Demo 1987
TRACKLIST
1. In Search of Power
2. We Want You
3. Riders of Tomorrow
4. Heavy-Metal Realm
5. Fight
6. Rock This Town
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RECOMMENDED LISTENING: V/A ”NO SUBSTITUTE FOR STEEL” [LP] (1985)
Org. published 2025-06-30 (Updated with links)
If you’re like me and love to deep dive into the more obscure side of 1980’s metal, here’s a compilation of unsigned bands from San Diego from 1985. You can check out the release on discogs here: ”No Substitute for Steel”.
01. Assassin - Treason
02. Chalace - Under The Attack
03. Prowler - From Out Of The Dark
04. Ragged Lace - Backs Against The Wall
05. Zzyzx & Lorah Bodie - Lonely Little Eyes
06. Raven Mad - Search For Signs
07. Jackal - Hidden In Gold
08. Bible Black - Bible Black
09. Snakebyte - Knife In The Back
10. American Steel - Everchanging Wind
PATREON MEMBERS
As a support Patreon member you can download this
(and much more) as mp3 files by clicking the logo down below.
(and much more) as mp3 files by clicking the logo down below.
DISCLAIMER
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
I do not own any of the music, videos & photos. All clips, photos and music belong to their respectful owners. I do not earn any money with these post. This is for educational purposes only. Any use for monetary gain, contact the creator.
Any full-length demo tapes or albums streaming on this blog is not in print at the date of the upload. If any music such as streaming music on this blog have been re-released by a label, contact me and I'll take it down.
Tuesday, June 30, 2026
BIEST (GER)
Heavy/Thrash Metal band from Jüterbog, Brandenburg ... from what was then East Germany.
"ONLY TEARS" [DEMO TAPE] 1991
This is the bands demo tape from 1991. I don't know why but this is the kind of music that I put on if I have a shitty day. Music wise it's ok, but you can clearly hear that English is not their first language and they probably didn't even study it in school. It puts a big smile on my face!
PATREON MEMBERS
As a support Patreon member you can download it
(and much more) by clicking the logo down below.
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SS-20 (KAZ)
Death/Thrash band from Petropavl, Kazakhstan. They released two demo tapes in 1991 and 1992, before changing their name to Sermon.
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CACUMEN (GER) [ALBUM DISCOGRAPHY]
Heavy Metal/Hard Rock band from Ingolstadt, Bavaria, Germany. In 1986 they changed their name to Bonfire.
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ALBUM DISCOGRAPHY
(1981) "CACUMEN" [LP]
(1983) "BAD WIDOW" [LP]
(1984) "DOWN TO HELL" [LP]
(1984) "LONGING FOR YOU" [EP]
PATREON MEMBERS
As a support Patreon member you can download everything
above as mp3 files by clicking the logo down below.
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