Tuesday, October 6, 2026

FREHLEY’S COMET AD (METAL MANIA, VOL.2, #7 (1988)


 

MOTÖRHEAD


 

PLAYING RIGHT NOW ... OZZY OSBOURNE "DIARY OF A MADMAN" [LP] ... BUT WHERE'S OZZY?

Genre: Heavy Metal
Year: 1981 (1986)
Country: UK
Note: Awesome album, but where the hell did Ozzy go? During the military dictatorship in South Korea, a lot of things were censored and that also included record covers. This is the South Korean pressing from 1986. You can read more about that here!


GONE .... NEVER FORGOTTEN: EDDIE VAN HALEN (JANUARY 26, 1955 – OCTOBER 6, 2020)

Eddie Van Halen, born Edward Lodewijk Van Halen on January 26, 1955, in Nijmegen, Netherlands, is a highly influential guitarist and co-founder of the rock band Van Halen. He moved to Pasadena, California, with his family in 1962, where he developed a passion for music, initially studying classical piano before shifting his focus to rock guitar. In 1972, he formed the band Mammoth, which later became known as Van Halen after the addition of vocalist David Lee Roth. The group gained substantial popularity with their self-titled debut album in 1978, showcasing Eddie’s groundbreaking guitar techniques, particularly the two-handed "tapping" method.
The cover of Sweden Rock Magazines tribute issue to Eddie.

Throughout his career, Eddie Van Halen was recognized for his innovative style, which merged elements from various guitar types, and his influence extended beyond performance to shape electric guitar design. His notable collaboration with Michael Jackson on the hit "Beat It" further cemented his status in the music industry. Despite facing personal challenges, including health issues and substance abuse, Van Halen continued to perform and record, contributing significantly to the rock genre until his passing. He is widely regarded as one of the most important and imitated guitarists in rock history, alongside icons like Jimi Hendrix and Jimmy Page.

Early Life
Eddie Van Halen was born Edward Lodewijk van Halen on January 26, 1955, in Nijmegen, Netherlands. His father, Jan, was a Dutch clarinetist, saxophonist, and pianist, and his mother, Eugenia, was originally from the former Dutch colony of Indonesia and was half Dutch and half Indonesian.

In 1962 the van Halens moved to Pasadena, California, to be near some of Eugenia’s family. Upon arriving in the United States, Jan decided to Americanize the family name, changing it to Van Halen. In Pasadena, Jan worked as a janitor at the Masonic Temple, washed dishes at Arcadia Methodist Hospital, and played in wedding bands, while Eugenia cleaned houses. Eddie knew no English when they arrived in the United States. He and his older brother Alex began taking piano lessons at the ages of six and nine, continuing for nearly a decade.

Eddie and Alex formed their first band, the Broken Combs, in elementary school, with Alex playing saxophone and Eddie playing piano. Despite their parents’ emphasis on classical music, Eddie and Alex were drawn to the rock and roll of their new American home by the time they were in junior high school. Reluctantly, their parents bought Alex a guitar while Eddie used the money from his paper route to buy a drum set. Alex found the guitar frustrating and took advantage of Eddie’s delivery schedule to play his drums. Eddie, as an act of revenge, began learning guitar solos on Alex’s guitar. By the time he was twelve, Eddie was studying guitar legend Eric Clapton’s solos from Clapton’s recordings with the Yardbirds and Cream.


Life’s Work
In 1972, the Van Halen brothers formed a trio called Mammoth with Alex on drums, Eddie on guitar and vocals, and friend Mark Stone on bass. They rented their sound equipment from a young singer named David Lee Roth. As Eddie became increasingly frustrated singing the lead, he decided he could save the band money by inviting Roth to join as the lead vocalist in 1974. That same year, bassist Michael Anthony replaced Mark Stone. They soon discovered there was another band named Mammoth based in Los Angeles, so, at Roth’s suggestion, they changed the band’s name to Van Halen.

By 1977, Van Halen was a popular local band, playing night clubs all over California. It was in one of those clubs that Van Halen caught the attention of KISS bassist and cofounder Gene Simmons, who financed their first demo tape. The band signed with Warner Brothers Records in 1977 and released their eponymous debut album in 1978. It was successful and eventually was certified platinum, as were subsequent releases Van Halen II (1979), Women and Children First (1980), Fair Warning (1981), and Diver Down (1982). Eddie Van Halen and Roth emerged as the group's primary songwriters and dominant personalities, earning fame for their wild on-stage presence while the band also became known for their hard-partying reputation. However, internal conflicts between the band members grew steadily.


Van Halen's success was closely tied to—and brought greater attention to—Eddie's innovative guitar playing. He was the highest-profile pioneer of the two-handed "tapping" technique, in which both hands are used to fret notes on the fingerboard, enabling extremely fast note runs. Unsatisfied with standard guitars and amplifiers, he continually customized his gear to allow im to achieve the sound and playability he wanted. Notably, he combined the lightweight and ergonomic but durable construction of the Fender Stratocaster guitar with the higher-output humbucking pickups of Gibson guitars, essentially inventing a style that would go on to be mass-produced by many companies. Together with powerful Marshall amplifiers that he modified to provide distortion even lower volumes, he was able to push the boundaries of high-gain rock guitar.

This innovation and popularity led to further successes. In 1982, Eddie was asked by producer Quincy Jones to perform the guitar solo on the song “Beat It” from Michael Jackson’s Thriller album. Though that album and song became best seller, Van Halen did not ask for compensation for providing the solo (and reportedly working on the arrangement as well), viewing it as a minor episode in his life rather than an important contribution to a seminal piece of music. Regardless, the credit helped boost Van Halen's popularity even higher, and the breakthrough to true superstar status was soon to come. The band’s 1984 album, 1984, produced their first set of number-one hits: “Jump,” “Panama,” and “Hot for Teacher.” However, following the release Roth left to pursue a solo career.

Sammy Hagar, who had been the lead singer of the rock band Montrose, was hired to replace Roth in 1985. Van Halen’s music took on a less aggressive, more commercial sound that featured Eddie’s keyboard playing over his virtuosic guitar playing. They released five albums before Hagar left in 1996. After a brief reunion with Roth, former Extreme vocalist Gary Cherone joined the band for the poorly received Van Halen III album (1998). Following Cherone’s departure, the band announced they were going on hiatus.


Over the course of his career, Eddie suffered numerous injuries from onstage falls and crashes while performing the acrobatics for which the band became known. As a result, he had hip replacement surgery in 1999. In May 2000, he began treatment for oral cancer and was declared cancer-free the next year.

In 2004, Hagar rejoined the band for a brief reunion tour. In 2007, the band announced a similar reunion tour with Roth; however, this tour was delayed after Eddie entered a rehabilitation center for undisclosed reasons. He would later openly discuss being treated for alcoholism and drug addiction. The tour finally launched in the fall of 2007 with Eddie’s son replacing Anthony as the bassist. The band was inducted into the Rock and Roll Hall of Fame that same year. Rumors persisted through 2009 and 2010 of an album of new material and a supporting tour, but none materialized until 2012, when A Different Kind of Truth was released. The band also continued to tour, though rumors persisted of an essentially nonexistent offstage relationship between Eddie and Roth. Van Halen's contentious relationships with Hagar and Anthony also provided ongoing fodder for the music press as part of the band's lore.

Significance
Eddie Van Halen is one of the foundational performers of virtuosic hard rock and heavy metal guitar styles of the 1980s. His combination of classically grounded technique and innovative performance techniques such as two-handed fretboard tapping made Van Halen one of the most decorated and imitated guitarists of the era. He is regularly regarded alongside Jimmy Page, Jimi Hendrix, and Steve Vai as one of the most influential guitarists in rock. In addition to his playing, Van Halen's customization of his equipment had a major influence on the electric guitar industry, shaping the market for aftermarket modifications and popularizing the concept of signature models.

Eddie on stage at the US Festival 1983.

Personal Life
Eddie married television actress Valerie Bertinelli, popular for her role on One Day at a Time, on April 11, 1981. Their son, Wolfgang William Van Halen (named for the composer Wolfgang Amadeus Mozart), was born March 16, 1991. The couple separated in 2001, and Bertinelli filed for divorce in 2005; it was finalized in 2008. Eddie married his publicist, Janie Liszewski, in 2009.

Bibliography
Christe, Ian. Everybody Wants Some: The Van Halen Saga. Hoboken, NJ: Wiley. 2008. Print. Band history and biography.

Klosterman, Chuck. "Eddie Van Halen on Surviving Addiction, Why He's Still Making Music and What He Really Thinks of David Lee Roth (and Other Past Van Halen Bandmates)." Billboard, June 19, 2015, www.billboard.com/articles/columns/rock/6605231/eddie-van-halen-addiction-david-lee-roth-touring. Accessed 30 Oct. 2017.

Monk, Noel E., and Joe Layden. Runnin' with the Devil: A Backstage Pass to the Wild Times, Loud Rock, and the Down and Dirty Truth Behind the Making of Van Halen. Dey Street Books, 2017.

Prato, Greg. "Eddie Van Halen." AllMusic, 2017, www.allmusic.com/artist/eddie-van-halen-mn0000146544/biography. Accessed 30 Oct. 2017.

Tolinsky, Brad, ed. Guitar World Presents Van Halen. New York: Leonard, 1997. Collection of interviews from the magazine on the band.

Zlozower, Neil, and David Lee Roth. Van Halen: A Visual History 1978–1984. San Francisco: Chronicle, 2008.

/ Text above courtesy of EBSCO

WHEN SOUTH KOREA CENSORED ALBUM COVERS ... OR WHERE'S OZZY?

Updated with more covers!

South Korea’s history of censoring records, media, and cultural materials is rooted in its geopolitical history, the rise of post-WWII authoritarian regimes, and cultural protectionism. While South Korea is now a vibrant democracy, this historical censorship was driven by several distinct motives.


National Security and Anti-Communism
Enacted in 1948, the National Security Act gave the government broad control over media to suppress pro-North Korean ideologies and prevent any information deemed a threat to the fragile state.

Regime Propaganda and Control
During the military dictatorships of the 1960s to the 1980s (such as under Park Chung-hee and Chun Doo-hwan), the government mandated that the media follow strict guidelines. Censors routinely banned records to suppress political dissent and forced pop artists to release "Healthy Music" that promoted patriotism and the administration.


Public Morality and Decency
Regulatory bodies like the Korea Media Rating Board and the Ministry of Gender Equality and Family (MOGEF) traditionally enforced stringent guidelines to protect "family values." Record covers containing suggestive nudity, violence, or references to drug use were routinely censored, edited, or mandated to carry 19+ ratings.


Cultural Protectionism
Following decades of harsh Japanese colonial rule, South Korea enacted sweeping bans against the distribution of Japanese records, films, and music to preserve and cultivate its own developing cultural industries. This embargo was only formally phased out in the late 1990s and early 2000s.

Historical Impact on Foreign Music
Many classic western rock albums experienced bizarre cover and tracklist changes to comply with these local laws. For example, Ozzy Osbourne and King Diamond. I wonder what would have happened to Carcass "Reek of Putrefaction" 😬


Monday, October 5, 2026

ACHERON (ENIGMATIC DELUSIONS #4, 1993)


 

WINTERS BANE (US)

Heavy/Power Metal band from Akron, Ohio, USA. This is the bands first demo tape from 1991.


Genre:
Heavy Metal 
Year: 1991
Country: US
Notes: Recorded at Primetime Studios in the bands hometown Akron, Ohio. This was their first release and what a release. A sure sign that true metal hadn't changed in quality because the calendar said the 80's was over, it was the media and the mainstream crowd that changed and wanted something new. 

The singer B.C. Richards is nothing short of amazing with his 'Michael Kiske-ish" voice. It's such a shame that he didn't have a better career in the scene. I really hope he had a good one outside of the metal scene.



Side A
The Haunted House
Damned Nation
Metal Rules
Pumpkin Heaf

SUPPORT THE WORK
If you have the possibility to buy one of our exclusive ”you can’t find them anywhere else” T-shirts, you would sure help us out a lot with all the research costs, web hosting, paywalls for newspaper archives etc … and as a bonus you would also be the coolest metalhead in town! 💀


PATREON MEMBERS
As a Patreon member you can download this as mp3 files
by clicking the Patreon logo.




BARATHRUM (FIN) (HAMMER OF DAMNATION #3, 1993)

VINNIE VINCENT


 

Sunday, October 4, 2026

PHIL LYNOTT WITH HIS THIN LIZZY


 

SAXON (KERRANG #60, 1984)

SEPTICEMIA (GRC) (HAMMER OF DAMNATION #3, 1993)



TYPHON (COL)


JUDAS PRIEST "DEFENDERS OF THE FAITH" ALBUM AD (KERRANG #60, 1984)


 

OVERKILL (POWER METAL VOL.3, #11 (OCTOBER 1989)


 

FROZEN EYES (SWE)

Swedish Heavy Metal from Gothenburg, Sweden. The story of FROZEN EYES goes way back to the early eighties. 1985 - 1989. Mattias Eklundh, more known as IA Eklundh (later FREAK KITCHEN) started out as a drummer and hooked up with the guitar player Magnus Johansson and the band BLAZE was formed. They went through different band names like; STALLION, AVENGER, LIZZARD, but later decided to call the band FROZEN EYES. By this time IA was still the drummer of the band and on vocals was Aulis Hultin and on the bass Leif Larssson. As time went by IA got boored with school and dropped out. He got more serious intersted of the guitar and started to practice 10 hour a day. A good move by the 16 year old rocker. IA was the big brain behind the band and wrote all songs by himself.

The Frozen Eyes LP - 1988
Finally FROZEN EYES had got some kind of reaction from a record company. It was Büms Records in Denmark, who wanted them to record an album. Little did the band know what Büms Records were to fuck them over!. With no back up from the record company and even had to pay the fees them selves the band could have a better first record-company-frontier.


The album was later, in 1996, re-issued by Büms Records on CD.

In late 1998 Winters Gate productions released a two CD set with all the 5 demos. Limited in 10 copies worldwide. These two CD package soon became a rare collectors item.

The Story Ends...

After the recording of the LP the band was in chaos. Aulis wasn't interested of being in the band anymore. So they went separate ways. FROZEN EYES tried to find a replacement. But it didn't work. In the meantime Mattias got in contact with the danish glam-metal band FATE who needed a new guitarist. Mattias went on audition and the danish glam-boys were pleased with Mattias talent.

After FROZEN EYES broke up Joakim later went to USA, to study the drums at MI in Los Angeles with his idol and later friend Mark Craney (JETHRO TULL etc).


Mattias only stayed in FATE until 1992, when he decided to form his own band, where he also would handle the singing. Mattias called up old FROZEN EYES drummer Joakim Sjöberg who went home from LA. Bass player Christian Grönlund was found a a club in Gothenburg. FREAK KITCHEN was born in 1992. In 2000 Joakim and Christain left FREAK KITCHEN. Joakim changed his name and are now days known as Envind Redin. He don't play the drums anymore. Bass player Leif Larsson is still in the mucis biz. For some years he played in NME WITHIN and later in BLACK INGVARS, playing covers at pubs & bars. In 1999 Leif joined RAM. Ex-guitarist Magnus Johansson would consequently join PAIN OF SALVATION and THE PROJECT HATE. Aulis has retired from the music scene. 

/ The above biography was part of a text written by Patrik Ek (2004) and published on 'fwoshm'.

INTERVIEW FROM THE SPLATTER FANZINE #2, 1987?)

Saturday, October 3, 2026

BRODEQUIN (UNRESTRAINED #21, 2003)


 

THOR & PANTERA (KERRANG #60, 1984)




 

DOKKEN "UNDER LOCK AND KEY" ALBUM REVIEW (KERRANG #111, 1986)


 

TORA TORA (US/TX) "NEW DAISY, MEMPHIS, TN" (1989)

MYTHIC (US/PA)


 

MESOMORPH (US/NY)


 

DEMOLITION HAMMER (ROT ZINE #1, 1990)

HAVOHEJ (US)

MUSIC FOR NATIONS AD (1984)


THE END RECORDS ALBUM AD (UNRESTRAINED #21, 2003)


 

NUCLEAR ASSAULT (POWER METAL VOL.3, #11 (OCTOBER 1989)


 

VENOM ... TO A DESERT ISLAND

 … to a desert island (with electricity) for the rest of your life, out of these down below! R.I.P. Cronos

WHICH ONE WOULD YOU CHOOSE?

I say the same thing as I did on the Venom "Playing Right Now" post ... I bought this "blind" somewhere in 1983/1984, just because I had seen some fantastic photos of the band in the Swedish Music Magazine, OKEJ, and I fell immediately in love with it. The rough production, the chaotic music and the Satanic lyrics. R.I.P. Cronos.

Go to our Facebook page ... or at the bottom of this page and state your opinion! 


IRON MAIDEN (KERRANG #60, 1984)