Tuesday, March 10, 2026

MIDAS TOUCH (SWE)

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NIKKI SIXX (1981)

Whiskey 1981. I think it was their 2nd Show that I first saw them at the Troubadour. They were playing 9pm and 11pm but Tommy broke his main kick drum head so they stopped. He had MOTLEY and CRUE on the front heads. So, he used one of those for the 11pm show then started doing these different front heads. Saw the Crue SO many times and was stoked for the band to get that US Festival gig in 1983. It really introduced them to everyone outside of Hollywood. / Peter Thomas Kearney



VARATHRON (BLACK MONTANAS #1, 1993)


 

KAT (POL) WITH METALLICA IN POLAND (1986)


 

BLACK SABBATH "AUDIMAX DER FRIER UNIVERSITÄT, BERLIN, WEST GERMANY" (JUNE 26, 1970) [CONCERT/AUDIO]

From the uploader: This is among the earliest recordings of Black Sabbath playing live. It's a rather excellent sounding audience recording, though not all the tracks sound good. This is the alternate, later version of the (mislabeled) "Live at Plumpton" bootleg, compiled in 2010. It has been combined with audio from another source to provide a more complete recording (hence the few poor quality tracks.) Like the other source, you can hear Ozzy singing some early versions of songs with alternate lyrics. The most notable of which is Walpurgis, the original version of War Pigs -- before it was adjusted to be an anti-war song. It is worth noting that this gig took place a few days after the Paranoid album was recorded -- so, by this point, the songs had indeed been updated to reflect the lyrics present on the album. However, it is possible Ozzy was having trouble remembering what those lyrics were, and he defaulted to these earlier versions in a pinch.

This is the later, complete recording of the gig, and unlike the other source, it has N.I.B. placed in the proper position. It has been distributed as the "Lost Berlin Tape" among collectors.

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SETLIST
0:00 Intro
0:21 Paranoid
3:22 Iron Man
9:06 N.I.B.
14:27 Black Sabbath
25:49 Walpurgis (War Pigs)
34:06 Hand of Doom
41:01 Rat Salad
42:21 Fairies Wear Boots
49:51 Wicked World

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Monday, March 9, 2026

DEMOLITION HAMMER


 

HEAVY METAL CHART (1979)

Found in the wild so I don’t know the date, but the persons post said 1979. So at least we got the year.


WINTERS BANE (US) "WINTERS BANE" [DEMO TAPE]

Genre: Heavy Metal 
Year: 1991
Country: US
Notes: Recorded at Primetime Studios in the bands hometown Akron, Ohio. This was their first release and what a release. A sure sign that true metal hadn't changed in quality because the calendar said the 80's was over, it was the media and the mainstream crowd that changed and wanted something new. 

The singer B.C. Richards is nothing short of amazing with his 'Michael Kiske-ish" voice. It's such a shame that he didn't have a better career in the scene. I really hope he had a good one outside of the metal scene.



Side A
The Haunted House
Damned Nation
Metal Rules
Pumpkin Heaf

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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

I do not own any of the music, videos & photos. All clips, photos and music belong to their respectful owners. I do not earn any money with these post. This is for educational purposes only. Any use for monetary gain, contact the creator.

Any tracks, demo tapes or albums streaming on this channel is not in print at the date of the upload. If any music on this blog have been re-released by a label, contact me and I'll take it down.

BLACK WIDOW (BEL)


 

ENGRAVED (NLD) "BLOOD SACRIFICE" DEMO AD (1993)


 

ARAKAIN "THRASH THE TRASH" [MUSIC VIDEO]


SAXON "POWER AND THE GLORY" ALBUM REVIEW (KERRANG #39, 1983)


PATREONS CAN DOWNLOAD THE ENTIRE ISSUE HERE

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Sunday, March 8, 2026

LEIF EDLING & TONY IOMMI


 

TRP (SWE)


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WHITESNAKE ”POP 78 FESTIVAL - AZ 67 STADION, ALKMAAR, NETHERLANDS” [CONCERT/AUDIO]

Whitesnake at the AZ 67 Stadion in Alkmaar (Netherlands) on June 17 1978. This performance at the Pop 78 Festival was the first Whitesnake concert outside the UK.

You can listen to an interview from that day further down in this post.

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SETLIST
00:00 Lady Luck
05:05 Come On
08:42 Ain't No Love In The Heart Of The City
14:50 Micky Moody Solo / Steal Away
21:25 Traffic Information
21:56 Mistreated
30:31 Belgian Tom's Hat Trick
35:26 Lady Double Dealer

LINE-UP:
David Coverdale (voc)
Neil Murray (bg)
Micky Moody (g), 
David Dowle (dr)
Pete Solley (keyb)
Bernie Marsden (g)

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SABBAT (JPN)


PALI GAP (UK) "UNDER THE SUN" [VIDEO]



DARKNESS (GER)

EXCITER (KERRANG #39, 1983)

PATREONS CAN DOWNLOAD THE ENTIRE ISSUE HERE

KING DIAMOND


 

IN FLAMES (SWE) (THE REQUIEM #6, 1996)


 

TOAD THE WET SPROCKET


 

Saturday, March 7, 2026

MALEVOLENT CREATION

KISS "LAKEFRONT ARENA, NEW ORLEANS, LA" (MARCH 2, 1986)

MARK REALE OF RIOT (KERRANG #5, 1981)


 

LEGION OF MARDUK (1997)


IMMORTAL (NOR) (THE REQUIEM #6, 1996)


 

RUNNING WILD ”PORT ROYAL"” ALBUM REVIEW (RAW MAGAZINE #5, 1988)


NIFELHEIM (SWE) (SLAYER MAGAZINE #16, 2001)

Make sure to support both the legendary author Jon ”Metalion” Kristiansen, and the independent book publisher Bazillion Point, by buying the book. CLICK HERE!

REVIEWS THAT DIDN'T AGE WELL: BLACK SABBATH "BLACK SABBATH" (1970)


 Lester Bangs, with a review of Black Sabbath’s debut album

“Over across the tracks in the industrial side of Cream country lie unskilled laborers like Black Sabbath, which was hyped as a rockin’ ritual celebration of the Satanic mass or some such claptrap, something like England’s answer to Coven.”

“Well, they’re not that bad, but that’s about all the credit you can give them. The whole album is a shuck — despite the murky song titles and some inane lyrics that sound like Vanilla Fudge paying doggerel tribute to Aleister Crowley, the album has nothing to do with spiritualism, the occult, or anything much except stiff recitations of Cream clichés that sound like the musicians learned them out of a book, grinding on and on with dogged persistence.”

“Vocals are sparse, most of the album being filled with plodding bass lines over which the lead guitar dribbles wooden Claptonisms from the master’s tiredest Cream days. They even have discordant jams with bass and guitar reeling like velocitized speedfreaks all over each other’s musical perimeters yet never quite finding synch — just like Cream! But worse.” 
Rolling Stone: September 17, 1970

The Culprit, Lester Bangs