YOU CAN DOWNLOAD IT ON OUR PATREON,
EVEN IF YOU'RE NOT A SUPPORT MEMBER
EVEN IF YOU'RE NOT A SUPPORT MEMBER
METAL ARCHIVIST & OLD SCHOOL METAL HEAD … OBSESSED WITH HEAVY * THRASH * DEATH * BLACK * DOOM * HARD ROCK *
Saturday, May 16, 2026
OSSUARY (URY) (INFECTED VOICE FANZINE #3)
Infected Voice was a fanzine from Peru written in Spanish, but here's an interview translated to English for you.
OSSUARY
Formed in 1992 by Sebastian and Marcelo, two months later they recorded the demo CEMETERY, the first death metal recording from outside Montevideo.
In 1993, after several shows with Corpses, Auschwitz, Morbid Blood, Orion, Crematorium, and Sacred (Argentina) in Montevideo and Maldonado, a new member joined: Francisco (vocals), completing the lineup with Nestor (bass), Marcelo (drums), and Sebastian (guitar). Months later, Gino replaced Nestor. The band continued writing until February 1994 when they recorded the demo preview, "Inquisition Dreams," at Maxi Music Studios, produced by Ossuary and Claustr of Mayhem (Argentina).
Months later, Francisco left the band, and Daniel joined on guitar and vocals. During that time, they played several shows in Montevideo with: Eclampsy, Abside, Inner Sanctum, and Satanica (Argentina).
1995 began with concerts in Maldonado, and in May, they recorded the EP "The Black Wind Whisper from the Coast" at Maxi Music.
Ossuary presents a style oriented towards Dark Death Metal, with melody, speed, and violence, seeking an original sound. Currently, American Line of Mexico has professionally released the EP for Central America, and it is distributed in: Belgium, Bulgaria, Czech Republic, Canada, Greece, Panama, Ecuador, Bolivia, Argentina, and several other countries.
In 1996, Ossuary played numerous shows throughout Uruguay and four times in Argentina, twice with the legendary SARCOFAGO, in their farewell performance, and once with the Paraguayan band SABAOTH
The concerts continue, and in August the South American TOUR begins, covering Argentina, Bolivia, and Uruguay. Lasting six weeks, they play with countless bands for a total of 13 dates, touring Northern Argentina, Bolivia (Sucre, Santa Cruz, Potosí, La Paz), and Uruguay (Maldonado, Montevideo, and Canelones), even playing twice in each city.
By early '97, the Bolivian label Catapult Records released the band's new material, which included the tracks from the EP, a new song, and two covers of bands that have influenced their formation. Manta Negra Records will also reissue the legendary '92 demo "Cemetery" with the promo track "Inquisition Dreams" as a bonus.
Now, let's move on to the interview answered by Sebastián:
1- Of all your work, which is your favorite?
I think this one, "Show No Thirsty," since it combines both demos onto a single cassette. Of course, I'm very fond of the debut demo, "Cemetery."
2- How did the idea of forming OSSUARY come about?
The main idea was to bring extreme metal to the interior of the country. I think this goal has been achieved.
3- What do you think of Catapult Rec's work? How did you make contact?
Very good. It all started when we played in Bolivia (La Paz).
4- Do you know anything about the Peruvian scene?
Yes, quite a bit. I really like Mortem, "Vomit of the Earth," the album too, but not as much. Hadez, Kranium, Necropsya (the best), Fosa Común, Sarcoma, Disinter, etc. I also know many zines, although some from your country have ripped me off. They should die.
5- Do you have a tour planned, and if the opportunity arises, would you play in Peru?
The tour is still in negotiations, but when it happens, we will definitely play in Peru and in several cities, since we have to cross over to Ecuador and then Colombia
6- How did you get into the underground scene? Any particular band(s) that impressed you from the start?
I think it was a natural thing. We started corresponding, and that's how more flyers arrived, and that's how we got into the underground scene. There were many bands, Rotting Christ (with whom we still correspond), Merciless (R.I.P.), especially those that included their addresses in their releases.
7- Your opinion on: Black, Death, Noise, and Heavy Metal.
Black Metal: It's super trendy. I like the '80s stuff (Assassin, Celtic Frost, Venom, Destruction, Sodom), although this one is also becoming fashionable.
Death Metal: My passion and the most brutal music on the planet.
Noise: I honestly don't understand it.
Heavy Metal: My life, my way of being, my spirit, one of the reasons I'm still alive
8- What is your greatest desire and what do you hate most in this world?
Our greatest desire is to keep playing everywhere and not let so much disappointment break us, so we can keep going with all of this. What we hate most in this world are fake people and enemies (of which there are many!!).
9- Before listening to Metal, what music did you listen to, and what attracted you to Metal?
Some post-dictatorship Rock, The Police, The Doors, Steppenwolf, The Cure, many things I don't remember. I've been listening to Metal for over 10 years now, and it's become a part of my life. I was attracted to Metal by the power of the music and the whole image surrounding Iron Maiden, Dio, W.A.S.P., etc.
10- The South American scene. What do you think of it, its bands, fanzines, bangers, etc.?
The South American scene is very good, but also quite new, which means that in 5 years we'll be able to talk about the people who are still standing firm and those who fell in this great metal battle. Surely those who never listened to Manowar and King Diamond and started with Pantera will fall. As for bands, there are many good bands and zines too; the problem is that there are many teenagers putting out flyers to get free material and then never putting out the zine again. The same people who make zines should expose these little shits. Anyway, we must keep going, even though many people surround you and supposedly are into the same thing as you, reeking of falsehood.
11- Any words to the metal readers of Infected Voice?
Don't take everything I said too seriously, or I'll look like a Reverend son of a bitch (ha, ha!!), just take care and do your own thing, always being honest. We'll be playing in Peru for all of you soon. If you want to get our merchandise in Peru, we have the tape available for only $6 (shipping included). Zines, send a number as proof of existence and you'll receive the tape + promo stuff. Bangers, write for an immediate response, include one dollar.
12- Anything you'd like to add? Goodbye.
Thanks Guido for the interview, good luck with the zine, we hope to stay in touch. DEATH TO FALSE METAL!!!
Thank you very much, Sebastian. I hope that when you start your tour you'll come to these lands. Those interested in contacting this brutal Uruguayan band should write to
OSSUARY
p.o. Box 52278
Maldonado (20000)
URUGUAY
p.o. Box 52278
Maldonado (20000)
URUGUAY
%20(ANATHEMA%20%231,%201990).jpeg)
.jpeg)
AGGRESSA (AUS)
Speed/Heavy/Thrash Metal band from Mt Druitt/Woy Woy, New South Wales, Australia. You can listen to their 1988 EP down below.
.jpg)
.jpg)
%20%22SEDUCE%22%20ALBUM%20AD%20(1985).jpeg)
.jpeg)
.png)
ATTILA WITH MAYHEM IN BERGEN, NORWAY
An iconic moment in Black Metal history: Attila Csihar, Snorre Ruch, Hellhammer and Euronymous in the heart of Bergen, Norway. This was during the recording sessions for the legendary album 'De Mysteriis Dom Sathanas'
Courtesy of Helvetes-Basement
HELLHOUND (US/CA) ... EARLY DISCOGRAPHY
Hellhound were one of the early speed metal/thrash bands to come out of California USA, forming in 1981. The band originally called themselves Black Death, changing their name to Hellhound after a song by the same name was penned by bassist Rich Pelletier. Much like another young California band called Metallica, Hellhound were heavily inspired by the NWOBHM scene and incorporated much of that sound into their sound. They had a cult following in Europe just from their demo recordings. Unfortunately the band split-up before being offered the opportunity to record for a proper label. Several members from Hellhound went on to form Rapid Fire.
The music is early California thrash metal, combining a heavy NWOBHM influence and some classic 70's heavy metal influences. Thrash metal today is defined by more manic sounds like Kreator, Sodom and Slayer. Hellhound's sound is more melodic and would probably be more accurately labeled speed metal. There are some similarities to other thrash pioneers such as Metallica and Exodus, but Hellhound's sound is a bit more melodic than either band's early demos. Comparisons to Attacker, Death Angel and early Deliverance wouldn't be too far off. For the most parts the songs are fast to mid-paced, and contain all the usual thrash ingredients; chugging guitar riffs, fast guitar solos, and a tight rhythm section. Vocalist Mike Walish has an interesting voice which ranges from high pitched shrieks to more mid-rage, clean singing. At times his high shrieks reminds me of Tim Baker of Cirith Ungol fame and Flemming Ronsdorf of Artillery. Considering that all the material contained was recorded in the 80's and was demo recordings, the sound quality is quite good.
It's a shame that Hellhound didn't get beyond recording demos. These demos showed a lot of promise. Who knows what would could have happened from here.
/ Introduction written by 'No Life 'Til Leather'.
The music is early California thrash metal, combining a heavy NWOBHM influence and some classic 70's heavy metal influences. Thrash metal today is defined by more manic sounds like Kreator, Sodom and Slayer. Hellhound's sound is more melodic and would probably be more accurately labeled speed metal. There are some similarities to other thrash pioneers such as Metallica and Exodus, but Hellhound's sound is a bit more melodic than either band's early demos. Comparisons to Attacker, Death Angel and early Deliverance wouldn't be too far off. For the most parts the songs are fast to mid-paced, and contain all the usual thrash ingredients; chugging guitar riffs, fast guitar solos, and a tight rhythm section. Vocalist Mike Walish has an interesting voice which ranges from high pitched shrieks to more mid-rage, clean singing. At times his high shrieks reminds me of Tim Baker of Cirith Ungol fame and Flemming Ronsdorf of Artillery. Considering that all the material contained was recorded in the 80's and was demo recordings, the sound quality is quite good.
It's a shame that Hellhound didn't get beyond recording demos. These demos showed a lot of promise. Who knows what would could have happened from here.
/ Introduction written by 'No Life 'Til Leather'.
1980/90's DISCOGRAPHY
(1984) REHEARSAL DEMO [DEMO TAPE]
This is the bands first demo tape or it's actually a rehearsal tape.
Recorded on November 22nd 1984.
Recorded on November 22nd 1984.
1. Flee the Bomb
2. Ice Age
3. Beyond Time and Space
4. Suffer the Innocent
5. Killing Spree
6. Usurper (instrumental)
7. Hellhound
(1985) SUBMIT OR DIE [DEMO TAPE]
This is the Recorded on 16 tracks at Astral Sounds
Recording, San Jose, CA in August 1985.
Recording, San Jose, CA in August 1985.
Side A
1. Ice Age
2. Flee the Bomb
3. Killing Spree
Side B
4. Suffer the Innocent
5. The Usurper
6. Repression of Life
(1987) FROM THE RUINS OF YESTERDAY [DEMO TAPE]
Recorded and digitally mastered in December 1986 at
Astral Sounds Recording in San Jose, California.
Astral Sounds Recording in San Jose, California.
1. From Ruins of Yesterday
2. Hammerslag
3. The Asylum
4. Hellhound
PATREON MEMBERS
As a support Patreon member you can download the demo tapes
(and much more) as mp3 files by clicking the logo down below.
SUPPORT OUR WORK
You can also support us by buying one of our exclusive
Logo, Lyric or Band member T-Shirts, you're sure helping us a lot.
Click here on the T-Shirt to check out what we have.
Logo, Lyric or Band member T-Shirts, you're sure helping us a lot.
Click here on the T-Shirt to check out what we have.
.jpeg)
%20987.jpg)
Friday, May 15, 2026
.jpeg)
.jpeg)
GONE … NEVER FORGOTTEN: TRONDR NEFAS (URGEHAL, KVIST, ANGST SKVADRON, BEASTCRAFT)
Trondr Nefas or Trond Bråthen (28 May 1977 – 13 May 2012), also known by other stage names as Alastor Nefas or simply as Nefas, was a Norwegian singer-songwriter, guitarist and bassist. Despite being primarily known for his work as the vocalist and lead guitarist of black metal group Urgehal, which he founded in 1992 alongside Thomas "Enzifer" Søberg, he had numerous other projects as well, such as Beastcraft (in which he performed as "Alastor Nefas"), In Lingua Mortua, Endezzma (formerly known as Dim Nagel) and Angst Skvadron. In all of those side projects he collaborated with fellow musician and former Ásmegin member Lars Fredrik Frøislie.
On 13 May 2012 (at age 34), Bråthen was found dead at his home. According to his Urgehal bandmates, he most probably died of natural causes in his sleep. On the following day they released a statement via their record label, Season of Mist.
Prior to his death Bråthen was working on a documentary about the Norwegian black metal scene, entitled A Black Metal Year in Norway. Originally slated to a 2012 release, his death prevented it from being finished and released. (A very rough cut of the film is available at YouTube though.[4]) Around the same time Urgehal began work on their seventh studio album, Aeons in Sodom, which remained unfinished until 2016 – it was eventually finished with the help of numerous guest musicians and released on 12 February.
He is survived by his brother, Thomas Bråthen, and by fiancée Octavia.
Please report dead links!
.jpeg.PNG)
%20.JPG)
Thursday, May 14, 2026
.JPG)
Subscribe to:
Posts (Atom)